From: Steele, Kirk A (SteeleKA@nafm.misawa.af.mil)
Date: Tue Jan 15 2002 - 23:38:21 MST
these are also developmental stage in developmental psychology. Kohlberg,
Seligmann, and Sellman.
mimmicry
self awareness
self as sole object
others as objects
subjetive self
others as subjective
Your question centers on the concept of scaffolding.
Your solution set, so far only considers the social scaffold perspective.
Your models do not allow for emergence, merely replication. Although you
question asks Modes of transmission, I feel I must remit that one not the
horse behind the cart.
Modes of Creation will yeild Modes of transmission for the seperate
scaffolds unto which ideas are born.
Kirk
-----Original Message-----
From: joedees@bellsouth.net [mailto:joedees@bellsouth.net]
Sent: Wednesday, January 16, 2002 3:11 PM
To: virus@lucifer.com
Subject: RE: virus: Modes of Transmission
On 16 Jan 2002 at 14:41, Steele, Kirk A wrote:
>
But that makes all the difference. It's in the absence of its object, just
like a can speak of b to c when c is absent, but only point to c when c is
present.
>
> Isn't five a derivative of one, minus the direct association inherent in
> one?
>
> -----Original Message-----
> From: joedees@bellsouth.net [mailto:joedees@bellsouth.net]
> Sent: Wednesday, January 16, 2002 2:19 PM
> To: virus@lucifer.com
> Subject: Re: virus: Modes of Transmission
>
>
> On 15 Jan 2002 at 23:08, joedees@bellsouth.net wrote:
>
> > On the memetics list, we have come up with four modes of memetic
> > transmission:
> >
> > 1) Showing - a bodily demonstration, such as knapping a handaxe for
> > an audience.
> >
> > 2) Telling - verbally or manually (signing) communicating via a common
> > symbol system.
> >
> > 3) Writing - inscribing glyphs which stand for spoken/signed language.
> >
> > 4) Picturing - creating a representation of the object of communication
> > via drawing, photography, etc.
> >
> > Can anyone here think of others?
> >
> I came up with a fifth: miming. It is different from showing, since it
> takes
> place in the absence of its object, and different from picturing, as it is
> ephemeral, rather than being frozen in a medium.
>
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